{"id":1423,"date":"2025-01-30T11:22:33","date_gmt":"2025-01-30T09:22:33","guid":{"rendered":"https:\/\/www.futureevents.gr\/foc\/?p=1423"},"modified":"2025-01-31T14:46:55","modified_gmt":"2025-01-31T12:46:55","slug":"davinci-resolve-19-whats-new","status":"publish","type":"post","link":"https:\/\/www.futureevents.gr\/foc\/?p=1423","title":{"rendered":"DaVinci Resolve 19 – What’s new?"},"content":{"rendered":"\n

<\/p>\n\n\n\n

DaVinci Resolve 19 introduces powerful new DaVinci Neural Engine AI tools and over 100 feature upgrades! Editors can work directly with transcribed audio to find speakers and edit timeline clips. Colorists can produce rich film like tones with the ColorSlice six vector palette and produce cinematic images using the new film look creator effect which emulates photometric film processes. In Fairlight, the IntelliTrack AI can be used to track motion and automatically pan audio. VFX artists in Fusion have an expanded set of USD tools plus a new multipoly rotoscoping tool. The cut page has new broadcast replay tools for live multi camera broadcast editing, playout and replay with speed control.<\/a><\/p>\n\n\n\n

Cloud Collaboration<\/h2>\n\n\n
\n
\"Blackmagic<\/figure>\n<\/div>\n\n\n

Blackmagic Cloud<\/h3>\n\n\n\n

DaVinci Resolve 19 supports Blackmagic Cloud, so you can host your project libraries on the DaVinci Resolve Project Server in the cloud. Share projects and work collaboratively with editors, colorists, VFX artists and audio engineers on the same project at the same time, anywhere in the world!<\/p>\n\n\n

\n
\"Organizations<\/figure>\n<\/div>\n\n\n

Blackmagic Cloud for Organizations<\/h3>\n\n\n\n

The Organizations app lets larger companies define a single organization or company within Blackmagic Cloud. Now you can create groups or teams and quickly share projects to an entire group rather than one by one. You can also manage storage access, share Presentations, and create a single sign on!<\/p>\n\n\n

\n
\"Organizations<\/figure>\n<\/div>\n\n\n

DaVinci Resolve Studio Licenses<\/h3>\n\n\n\n

The Organizations app also lets you buy or rent DaVinci Resolve Studio licenses. This makes it easier for companies to assign and manage the allocation of licenses within large groups. Licenses can be costed against specific projects and then removed when it\u2019s complete.<\/p>\n\n\n

\n
\"Blackmagic<\/figure>\n<\/div>\n\n\n

Blackmagic Proxy\u00a0Generator<\/h3>\n\n\n\n

The new Blackmagic Proxy Generator App automatically creates and manages proxies from camera originals. Create a watch folder and new media is automatically converted into H.264, H.265 or ProRes proxies to accelerate editing workflows. You can extract proxies into a separate folder for offline work!<\/p>\n\n\n

\n
\"Simplified<\/figure>\n<\/div>\n\n\n

Simplified Proxy Workflow<\/h3>\n\n\n\n

Switch between camera original footage and proxies in a single click. With Blackmagic Proxy Generated proxies, DaVinci Resolve knows where in the file tree to find them, instantly linking to the camera originals in the media pool. Edit with proxies, then relink to camera originals to grade!<\/p>\n\n\n

\n
\"Cloud<\/figure>\n<\/div>\n\n\n

Blackmagic Cloud Camera Sync<\/h3>\n\n\n\n

Multiple Blackmagic cameras can now upload proxy files, followed by the camera originals, to Blackmagic Cloud. With automatic sync to DaVinci Resolve projects, you can start editing and grading quickly using proxies, speeding up your workflow. It\u2019s a fast, seamless and automatic way to collaborate.<\/p>\n\n\n

\n
\"One<\/figure>\n<\/div>\n\n\n

Intelligent Media Management<\/h3>\n\n\n\n

DaVinci Resolve 19 adds intelligent media location management, so that when you are collaborating you can quickly link media to your unique file paths. Now you don\u2019t need to manually relink or search for assets when you work remotely. So you have more time for creativity and less time on file admin!<\/p>\n\n\n

\n
\"Presentations<\/figure>\n<\/div>\n\n\n

Presentations Review<\/h3>\n\n\n\n

Export your timeline to the Blackmagic Cloud using the new Presentations feature. With Presentations, multiple people can review your timeline, leave comments and even share a live chat. Comments will appear as markers on your DaVinci Resolve timeline, allowing you to act on feedback quickly.<\/p>\n\n\n\n

\"Timeline<\/figure>\n\n\n\n

Timeline Locking within Bins<\/h3>\n\n\n\n

Collaboration with other editors at the same time is now even easier with the new timeline locking operation. This automatic operation prevents two users selecting the same timeline by locking it to the first user without the need to lock the whole timeline bin. Multiple editors can now work on different timelines in the same bin at the same.<\/p>\n\n\n\n

Cut and Edit<\/h2>\n\n\n
\n
\"Multi<\/figure>\n<\/div>\n\n\n

Multi Source<\/h3>\n\n\n\n

Multi Source lets you see all your live cameras, or even just clips in a bin with a common timecode, in a multiview screen to look for any point of interest. You can scrub, play and select shots to add to the timeline or simply play to air. You can even switch live from any of the available angles.<\/p>\n\n\n

\n
\"Point<\/figure>\n<\/div>\n\n\n

Point of Interest<\/h3>\n\n\n\n

When watching live cameras or a multiview of clips and a signifiant event occurs, capture the moment with a POI marker. The POI is placed on all the clips at that same time so you can quickly find the event on every camera angle, play them to air and even automatically build a highlights timeline.<\/p>\n\n\n

\n
\"Replay<\/figure>\n<\/div>\n\n\n

Replay Palette<\/h3>\n\n\n\n

The pace of live TV is frantic so the replay controls are clear and quick to navigate. Set a POI with a single key, select a camera and cue the event. Then select run to play to air automatically via ATEM. You can switch cameras or once it\u2019s done, simply dump the playout to prepare the next replay.<\/p>\n\n\n

\n
\"Auto<\/figure>\n<\/div>\n\n\n

Auto Stinger<\/h3>\n\n\n\n

Stingers are moving graphics and sound transition to let the viewer know you have switched from live to a replay, then back, or even just switched to a new scene. Select auto stingers from the media pool and play in real time at the head and tail of a replay, even when the replay is in slow motion.<\/p>\n\n\n

\n
\"Text<\/figure>\n<\/div>\n\n\n

Text Based Timeline Editing<\/h3>\n\n\n\n

Improvements to the transcription workflow make it possible to edit clips based on their transcribed text directly on the timeline! The analyzer is now able to detect multiple voices, allowing you to assign names to different speakers and refine text based search and text replacement operations.<\/p>\n\n\n

\n
\"Speech<\/figure>\n<\/div>\n\n\n

AI Speech to Text Transcription<\/h3>\n\n\n\n

The transcribe feature automatically transcribes video and audio clips! Simply select the clips in the media pool and use the menus to select audio transcription and then transcribe. You can mark in and out points to edit or delete text, generate sub clips, add markers and even remove silence.<\/p>\n\n\n

\n
\"Improved<\/figure>\n<\/div>\n\n\n

Improved Cut Page Editing<\/h3>\n\n\n\n

The addition of three new menus to the Cut page timeline allows for quicker and more flexible editing. Use the timeline options, timeline actions and edit actions to toggle ripple editing, trim edit points to the playhead, trim to and resync audio, and change the appearance of the timeline and more!<\/p>\n\n\n

\n
\"Automatically<\/figure>\n<\/div>\n\n\n

Automatically Create Subtitles<\/h3>\n\n\n\n

The auto subtitle feature on the Cut and Edit pages transcribes timeline speech to text automatically into a subtitle track on the timeline. To activate, simply click \u2018create subtitles from audio\u2019 in the timeline menu. Once analyzed, click the individual captions to modify them in the inspector.<\/p>\n\n\n\n

\"Scene<\/p>\n\n\n\n

Before<\/p>\n\n\n\n

After Scene Cut Detection<\/p>\n\n\n\n

Scene Cut Detection<\/h3>\n\n\n\n

Scene cut detection is now possible directly on the Cut timeline. Simply navigate to the timeline menu and click \u2018detect scene cuts\u2019. Selected clips will be analyzed for content and cut points automatically placed on every new edit in the rendered clip. Customers can modify or remove trim points as needed.<\/p>\n\n\n

\n
\"A\/V<\/figure>\n<\/div>\n\n\n

A\/V Split Audio and Video Edits<\/h3>\n\n\n\n

On the Cut page, drag the lower part of a clip to separately adjust the audio track, allowing the dialogue to be heard before or continue after the video clip is seen. Editors can creatively focus visual attention on the scene using audio to add interest, drama and even tension to dialogue scenes.<\/p>\n\n\n

\n
\"Open<\/figure>\n<\/div>\n\n\n

Open Timeline IO<\/h3>\n\n\n\n

Support for the OpenTimelineIO (OTIO) format makes importing and exporting timelines from other NLE applications faster and easier. OTIO supports metadata for clips, timing, tracks, transitions and markers, as well as information about the order and length of cuts and references to external media.<\/p>\n\n\n

\n
\"AI<\/figure>\n<\/div>\n\n\n

AI Based Voice Isolation<\/h3>\n\n\n\n

The AI based voice isolation track FX let\u2019s you remove loud, undesirable sounds from voice recordings. Isolating dialog from background sounds in a recording, you can eliminate everything else from moderate noise to aircraft and explosions leaving only the voice. Voice isolation is perfect for interviews and dialogue recordings from noisy locations.<\/p>\n\n\n\n

\"Built-in<\/figure>\n\n\n\n

Built-in Dialogue Leveler<\/h3>\n\n\n\n

The dialogue leveler track FX in the inspector processes and smoothes dialogue recordings without the need for tedious level adjustments on clip gain or automation curves. Controls include real time scrolling waveform display, focus presets and three process options which allow you to easily achieve natural sounding results.<\/p>\n\n\n\n

Color<\/h2>\n\n\n
\n
\"UltraNR<\/figure>\n<\/div>\n\n\n

UltraNR Noise Reduction<\/h3>\n\n\n\n

UltraNR is a new DaVinci Neural Engine driven denoise mode in the Color page\u2019s spatial noise reduction palette. Use it to dramatically reduce digital noise from a frame while maintaining image clarity. Combine with temporal noise reduction for even more effective denoising in images with motion!<\/p>\n\n\n

\n
\"Film<\/figure>\n<\/div>\n\n\n

Film Look Creator<\/h3>\n\n\n\n

The new Film Look Creator lets you add cinematic looks that replicate film properties like halation, bloom, grain, flicker, gate weave and vignetting. Adjust exposure in stops and use subtractive saturation, richness and split tone controls to achieve looks usually found on the big screen!<\/p>\n\n\n

\n
\"ColorSlice<\/figure>\n<\/div>\n\n\n

ColorSlice SixVector Grading<\/h3>\n\n\n\n

The ColorSlice palette uses subtractive color processes to adjust image color density, saturation and hue, allowing you to produce rich filmic colors and looks. Parameters in each customizable vector slice let you enhance and deepen color without spill, in a way that looks naturally pleasing.<\/p>\n\n\n

\n
\"Marker<\/figure>\n<\/div>\n\n\n

Marker Overlays and Annotations<\/h3>\n\n\n\n

The Color page viewer now supports marker overlays and annotations for timeline and clip markers. Open the marker interface to leave written notes with your visual feedback. Select a marker color and thickness, and draw directly in the viewer or use the arrow tool to point to areas of interest.<\/p>\n\n\n

\n
\"Composite<\/figure>\n<\/div>\n\n\n

Composite Modewithin Nodes<\/h3>\n\n\n\n

Corrector nodes in the color page node editor now features composite mode. These composite modes will allow you to affect how node values blend into the pipeline without the need of a layer mixer. This means that your node graph looks cleaner and it\u2019s faster and easier to follow the signal flow.<\/p>\n\n\n\n

\"Automatic<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Depth Map<\/p>\n\n\n\n

Automatic Depth Map<\/h3>\n\n\n\n

The new depth map effect lets you instantly generate a 3D depth matte of a scene to quickly grade the foreground separately from the background, and vice versa. You can bring attention to action in the foreground, help interview subjects stand out, or add atmosphere in the background of a scene!<\/p>\n\n\n\n

Fusion<\/h2>\n\n\n
\n
\"Advanced<\/figure>\n<\/div>\n\n\n

AdvancedVolumetric Rendering<\/h3>\n\n\n\n

uVolume lets you directly import volumetric VDB files into Fusion eliminating time consuming conversions. It also adds creative control of imported effects such as smoke, fire, clouds and explosions. You get complete control over density, temperature and color parameters of the VDB file in DaVinci!<\/p>\n\n\n

\n
\"MultiPoly<\/figure>\n<\/div>\n\n\n

MultiPolyTool<\/h3>\n\n\n\n

The new MultiPoly tool displays all of your masks in a single list eliminating switching between nodes for faster, more accurate rotoscoping! Perfect for complex projects, you can view, select, add to and modify specific shapes, toggle their visibility and adjust parameters all from one location.<\/p>\n\n\n\n

\"Universal<\/p>\n\n\n\n

Before<\/p>\n\n\n\n

After<\/p>\n\n\n\n

Universal Scene Description<\/h3>\n\n\n\n

Fusion now supports Universal Scene Description files for easier collaboration between VFX artists. USD data such as geometry, lighting, cameras, materials and animation can be imported. Fusion\u2019s new USD tools let you manipulate, re-light and render files using Hydra-based renderers such as Storm.<\/p>\n\n\n

\n
\"Fusion<\/figure>\n<\/div>\n\n\n

Fusion Multi-Layer Tool<\/h3>\n\n\n\n

The new multi-merge tool lets you merge numerous media sources into a single multi layer stack, so it\u2019s easier to create composites by merging clips, stills or graphics using layers. Each layer has its own controls, so you can still change individual properties like position, size and apply modes.<\/p>\n\n\n\n

Fairlight<\/h2>\n\n\n\n

\"AI<\/p>\n\n\n\n

Auto Panning Left to Right<\/p>\n\n\n\n

AI Audio Panning to Video<\/h3>\n\n\n\n

The new IntelliTrack AI point tracker lets you automatically generate precision audio panning by tracking people or objects as they move across 2D and 3D spaces! With AI audio panning to video, you can quickly pan multiple actors in a scene, controlling their voice positions in the mix environment!<\/p>\n\n\n

\n
\"AI<\/figure>\n<\/div>\n\n\n

AI Fairlight FX<\/h3>\n\n\n\n

The AI based dialogue separator FX lets you rebalance dialogue against background sound and the reverberant sound of the room. You get controls for voice, background and ambience so you can reduce, remix or remove competing sounds. It\u2019s perfect for field recordings and interviews in busy locations.<\/p>\n\n\n

\n
\"Fairlight<\/figure>\n<\/div>\n\n\n

Fairlight Ducker Track FX<\/h3>\n\n\n\n

The ducker track FX lets one track auto adjust the level of another track without the need for setting up complex side chain compression or automation curves. You can automatically set music or background noise to lower when dialog is present, then fine tune the audio mix with advanced controls.<\/p>\n\n\n

\n
\"Ambisonic<\/figure>\n<\/div>\n\n\n

Ambisonic Surround Sound<\/h3>\n\n\n\n

Record, mix, monitor and deliver full sphere Ambisonic surround soundtracks! Fully integrated native operation with 1st to 5th order busses and tracks, native effects processing, 2D and 3D spherical panning, binaural and channel based monitoring, dynamic in-viewer metering and head tracking support.<\/p>\n\n\n

\n
\"Fairlight<\/figure>\n<\/div>\n\n\n

Fairlight Track Groups<\/h3>\n\n\n\n

Combine related audio tracks or mixer channels into groups, enabling shared mix automation or editing operations. When creating groups, you can determine the parameters they will share. Groups can be nested, or temporarily suspended to quickly switch focus to smaller groups or individual tracks.<\/p>\n\n\n

\n
\"AI-based<\/figure>\n<\/div>\n\n\n

AI Audio Classification<\/h3>\n\n\n\n

The DaVinci Neural Engine can classify audio clips based on their content, making editing choices faster when reviewing unfamiliar materials. After analysis, audio clips appear in collections bins for dialogue, music and effects with detailed sub categories such as explosions, water or insects.<\/p>\n\n\n

\n
\"Automatic<\/figure>\n<\/div>\n\n\n

AutomaticBinaural Rendering<\/h3>\n\n\n\n

The Dolby Atmos deliverable toolset has been expanded to support rendering of a binaural output from a complex Dolby Atmos mix. Now a Dolby 7.1.4 mix can be rendered to playback in a pair of headphones while maintaining the immersive sound experience from just two audio channels.<\/p>\n\n\n

\n
\"Innovative<\/figure>\n<\/div>\n\n\n

Innovative SpaceView 3D Display<\/h3>\n\n\n\n

DaVinci Resolve supports the latest industry standard audio formats natively, including immersive audio formats like Dolby Atmos, Auro 3D, MPEG-H, NHK 22.2, and SMPTE. The space view scope displays a real time view of every object and its relationship to the room and other objects in 3D space.<\/p>\n\n\n\n

\"Next<\/figure>\n\n\n\n

Next Generation
Engineering<\/h2>\n\n\n\n

DaVinci Resolve 19 features some of the most cutting edge technology in the industry today. The DaVinci Neural Engine is an advanced machine learning system powering many of the software\u2019s most powerful tools, and is fully supported in Apple M series and Snapdragon X Elite. Inclusion of the latest version of Dolby Vision means that users can view HDR on supported monitors, including laptops. The future proof DaVinci Wide Gamut and Intermediate log grading environment let you work on media from any source. You can deliver to every projection, monitoring and archiving standard in use today. Plus DaVinci Resolve is the only software that you can use to edit and grade 8K footage in real time!<\/p>\n\n\n

\n
\"DaVinci<\/figure>\n<\/div>\n\n\n

DaVinci AI Neural Engine Acceleration<\/h3>\n\n\n\n

The advanced machine learning algorithms of the DaVinci Neural Engine are supported on Qualcomm\u2019s new Snapdragon X Elite processor for Windows. NPU acceleration gives you up to 4.7x faster performance of AI tools such as magic mask and 2x faster performance for smart reframe, and more!<\/p>\n\n\n\n

\"Laptop<\/p>\n\n\n\n

SDR<\/p>\n\n\n\n

HDR<\/p>\n\n\n\n

LaptopHDR Monitoring<\/h3>\n\n\n\n

Increased Dolby Vision support now includes the latest version of Dolby Vision, which offers HDR viewing on Apple displays that feature high dynamic range options. This includes XDR displays and even the latest laptops, which means you can review, grade and deliver HDR footage from anywhere!<\/p>\n\n\n\n

\"Create<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Fast Noise<\/p>\n\n\n\n

AtmosphericSimulation<\/h3>\n\n\n\n

Quickly generate randomized noise data to replicate different types of atmosphere and particle like effects. Use the presets to generate smoke and mist effects. Advanced parameters let you create a distinct appearance or movement in the noise. You can even warp images using the displacement map!<\/p>\n\n\n\n

\"Edge<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Edge Detection<\/p>\n\n\n\n

Edge Detection<\/h3>\n\n\n\n

Improved edge strength and filter controls in the edge detect effect produce more natural results than ever. The gamma control allows for cleaner edges and a smoother rolloff. The half edge setting displays either the light or dark side of the edge, allowing for unique sharpening and halo effects.<\/p>\n\n\n

\n
\"DaVinci<\/figure>\n<\/div>\n\n\n

DaVinci WideGamut Color Space<\/h3>\n\n\n\n

DaVinci wide gamut and intermediate are timeline color space and gamma standards that provide a universal internal working color space. It\u2019s larger than what cameras can capture, even larger than BT.2020, ARRI wide gamut and ACES AP1. You\u2019ll never lose image quality, no matter where it comes from!<\/p>\n\n\n

\n
\"DaVinci<\/figure>\n<\/div>\n\n\n

8K Real TimeColor Correction<\/h3>\n\n\n\n

Only DaVinci Resolve supports 8K digital negative debayering editing and grading in real time! Working directly on RAW footage when compositing and grading ensures the most accurate results, to avoid limited resolutions, compression artifacts and banding that might impact your creative decisions!<\/p>\n\n\n\n

\"More<\/figure>\n\n\n\n

Technology
and Creativity<\/h2>\n\n\n\n

DaVinci Resolve provides some of the most intelligent AI and advanced feature algorithms available in post production! These tools produce quick, accurate results that will elevate the visual quality of your project while saving you hours of time. The magic mask needs only a single stroke to locate and track people, features, and objects. Smart reframe repurposes footage to dramatically different aspect ratios by recognizing the action in a scene and panning within it. Tools like object removal and the patch replacer allow you to remove unwanted equipment from a scene with the click of a few buttons. Plus the tracker has been the industry leader for over 20 years.<\/p>\n\n\n\n

\"AI<\/figure>\n\n\n\n

AI Tools<\/h2>\n\n\n
\n
\"IntelliTrack<\/figure>\n<\/div>\n\n\n

IntelliTrack AI Tracking<\/h3>\n\n\n\n

The new IntelliTrack AI is powered by the DaVinci Neural Engine, optimizing tracking and stabilization in the color and Fusion pages. It can also be used in Fairlight to track on screen subjects and automatically generate audio panning within a scene, saving time and producing more immersive audio!<\/p>\n\n\n

\n
\"Music<\/figure>\n<\/div>\n\n\n

Music Remixer FX<\/h3>\n\n\n\n

The music remixer track FX lets you adjust music to fit with the style of your show. Controls include mute and level adjustments for voice, drums, base, guitar and more! You can turn a vocal piece into an instrumental, automate changes and refocus the music mix to the instruments you want to hear.<\/p>\n\n\n\n

\"Person<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Person Mask<\/p>\n\n\n\n

Person Mask<\/h3>\n\n\n\n

The magic mask palette uses the DaVinci Neural Engine to detect people, tracking their movement in a shot. This person mask produces clean traveling mattes for secondary grades or effects. You can make characters stand out in an under lit shot, or invert the person mask and stylize the background.<\/p>\n\n\n\n

\"SuperScale\"<\/p>\n\n\n\n

Upscale with Regular NLE<\/p>\n\n\n\n

Upscale with DaVinci Resolve<\/p>\n\n\n\n

SuperScale<\/h3>\n\n\n\n

This unique upscaling algorithm creates new pixels when increasing the resolution of an image. The newly generated data has more detail in upscaled images than standard resizing controls. Ideal for scaling archival footage into modern resolutions, or upscaling HD footage to match a 4K or 8K project.<\/p>\n\n\n

\n
\"Smart<\/figure>\n<\/div>\n\n\n

Smart Reframefor Social Media<\/h3>\n\n\n\n

Now you can use 16:9 HD or Ultra HD and quickly create square or vertical versions for posting to Instagram and other apps! The DaVinci Neural Engine automatically identifies action and repositions the image inside a new frame so you don\u2019t have to do it manually. You can even fine tune the results!<\/p>\n\n\n

\n
\"Stylize<\/figure>\n<\/div>\n\n\n

Stylize withOpen FX Library<\/h3>\n\n\n\n

The Open FX library features over a dozen stylize effects that can artistically modify the content of the image. Ranging from the creative, like pencil sketch, halation and abstraction, to the practical like blanking fill, these effects analyze the content of a shot to produce striking imagery.<\/p>\n\n\n\n

\"Face<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Refinement<\/p>\n\n\n\n

Face Refinement<\/h3>\n\n\n\n

The sophisticated face refinement filter uses facial feature recognition to automatically detect and track faces! Use its many parameters for general beauty work, like skin smoothing, for correcting unflattering color casts, and for retouching individual features like eyes, lips and cheeks.<\/p>\n\n\n\n

\"Dead<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Dead Pixel Fixer<\/p>\n\n\n\n

Dead Pixel Fixer<\/h3>\n\n\n\n

Dead pixels in a camera sensor will often appear as static white dots and could affect hundreds of shots before they are noticed! Click on the white dots in the viewer, and the dead pixel fixer will use the surrounding pixel data to cover them up, rescuing your footage and preventing reshoots!<\/p>\n\n\n\n

\"Object<\/p>\n\n\n\n

Before<\/p>\n\n\n\n

After<\/p>\n\n\n\n

Object Removal<\/h3>\n\n\n\n

The perfect tool for covering up moving objects in an otherwise static shot, object removal analyzes a scene and uses the background information to paint out unwanted data. Create a Power Window on a new node, track the unwanted object, and link to the effect node. Watch it vanish before your eyes!<\/p>\n\n\n\n

\"Patch<\/p>\n\n\n\n

Before<\/p>\n\n\n\n

After<\/p>\n\n\n\n

Patch Replacer<\/h3>\n\n\n\n

Sample an area of your scene to quickly cover up unwanted elements, like boom mics or even blemishes on a face. The patch replacer has a fantastic auto grading feature that will seamlessly blend the covered area with the surrounding color data, even when there is movement or changes in the light.<\/p>\n\n\n\n

\"Resolve<\/figure>\n\n\n\n

Tools for Content Creators<\/h2>\n\n\n
\n
\"Track<\/figure>\n<\/div>\n\n\n

Vertical Resolutionfor Social Media<\/h3>\n\n\n\n

For content creators on TikTok, Instagram, X, YouTube shorts, Snapchat and more, there is now a selection of square and vertical video resolutions available in the project and timeline settings. Combine with Smart Reframe to quickly setup your timeline for vertical or square resolution videos.<\/p>\n\n\n

\n
\"Upload<\/figure>\n<\/div>\n\n\n

Upload Directlyto Social Media<\/h3>\n\n\n\n

Link your social media accounts to DaVinci Resolve in order to upload videos directly to YouTube, Vimeo and Twitter as you export. Compression settings have been developed based on each site\u2019s best recommendations, meaning your videos will be optimized for visual quality and playback speed.<\/p>\n\n\n

\n
\"Import<\/figure>\n<\/div>\n\n\n

ImportATEM Mini Projects<\/h3>\n\n\n\n

Live production projects from ATEM Mini ISO models can be opened as a timeline. The sync bin with multiview lets you fine tune edits from the original live production or even replace shots. You can use the ISO recordings from ATEM or relink to Blackmagic RAW camera files for finishing in Ultra HD!<\/p>\n\n\n\n

\"Advanced<\/p>\n\n\n\n

Original Footage<\/p>\n\n\n\n

After Noise Reduction<\/p>\n\n\n\n

AdvancedNoise Reduction<\/h3>\n\n\n\n

Two powerful tools restore noisy digital footage, even if captured in low light. The GPU accelerated temporal noise reduction algorithm removes noise while intelligently retaining areas of high detail. While the spatial noise tool analyzes the remaining noise pattern to lift it from the image.<\/p>\n\n\n

\n
\"Optical<\/figure>\n<\/div>\n\n\n

Optical FlowSpeed Change<\/h3>\n\n\n\n

The advanced retiming algorithm analyzes a scene\u2019s content, building new frames so you can slow down and extend the action in a sequence without repairing or blending frames into each other. Every frame created with optical flow is sharp, and intelligently constructed from existing visual data.<\/p>\n\n\n

\n
\"Mix<\/figure>\n<\/div>\n\n\n

Mix 2,000Tracks in Realtime!<\/h3>\n\n\n\n

Fairlight Audio Core is a low latency, next generation audio engine that intelligently manages workloads by using all CPU cores. That means sound elements can be split into as many tracks as needed. You get up to 2,000 tracks, each with real time EQ, dynamics and 6 plug-ins, all on a single system!<\/p>\n\n\n

\n
\"Track<\/figure>\n<\/div>\n\n\n

Color Warperfor Refined Grading<\/h3>\n\n\n\n

The mesh based warping tool lets you adjust two color parameters at once. You can adjust both hue and saturation or chroma and luma. Adjustments are made by dragging control points, with smooth falloff for clean, natural looking adjustments. It\u2019s a new way to transform color in your images!<\/p>\n\n\n

\n
\"Track<\/figure>\n<\/div>\n\n\n

Track andFollow Objects<\/h3>\n\n\n\n

The tracker palette lets you effortlessly follow objects and people to apply secondary grading or effects. When a window is placed on a subject, the tracker can follow its contents in 3D space, resulting in a quick and accurate mask. You can easily emphasize vital elements of a scene!<\/p>\n\n\n\n

\"Hardware<\/figure>\n\n\n\n

Hardware and Software Integration<\/h3>\n\n\n\n

Streamline your workflow with editing keyboards, grading panels and audio consoles designed to work with DaVinci Resolve software. Faster than just software, dedicated features are placed directly at your fingertips. Adjust multiple parameters simultaneously on the same panels used in Hollywood!<\/a><\/p>\n\n\n\n

\n\n\n\n

DaVinci Resolve 19. At Future of Cinema 2025<\/h1>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

DaVinci Resolve 19 introduces powerful new DaVinci Neural Engine AI tools and over 100 feature upgrades! Editors can work directly with transcribed audio to find speakers and edit timeline clips. Colorists can produce rich film like tones with the ColorSlice six vector palette and produce cinematic images using the new film look creator effect which…
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